This appeared last month as a promotion for the upcoming Wellington Jazz Festival: http://www.13thfloor.co.nz/?p=88520
Playing the Wellington Jazz Festival this weekend are the London-based psychedelic funk-meisters The Comet is Coming. They mix sounds from the universe including snippets of Parliament, Sun Ra and Afro-funk pioneers like Fela Kuti – all channelled through a digital dashboard of synths and crazy sax.
The Comet is Coming. Photo credit: Stephen A’Court/ Wellington Jazz Festival
The Comet is Coming came, saw and conquered, leaving an explosion of psychedelic dust in its wake and the uncontrollable urge for Festival goers to get down and boogie. Wellington was passionate about The Comet, nearly selling out the Opera House for their Jazz Festival performance. The Comet took off slowly with a couple of intense and deeply indulgent jams building up layers of funky Herbie Hancock styled futuristic keyboard loops – courtesy of Danalogue The Conqueror (aka Lan Leavers); vibrant counter-rhythms from Betamax Killer’s drum kit and swirly, punchy sax from King Sabaka. They started this way and except for a short interlude where Danalogue played a short and quiet keys solo continued in full assault mode. Some of their performance collapsed into deep percussion led rhythmic trances, punctuated by sax and drums which seemed to compete and compliment, simultaneously.
Photos by Lisa B Doyle/ Wellington Jazz Festival
What a treat, to finish this year’s festival with the Harold López-Nussa Trio. Beaming ear-to-ear, all three, which included Horacio Hernandez (electric bass) and ‘Harry’s’ brother Ruy Adrian (drums) exuded radiant energy and a real sense of fun.
Jonathan Crayford was awarded the Tui for Best Jazz Album, at a cocktail party attended by Wellington’s jazz community and sponsors of the Wellington Jazz Festival.
Callum Allardice announces the award at the Wellington Jazz Festival Photo: Stephen A’Court.
The event included Anthony Healey, Head of APRA and Damian Vaughan (Recorded Music New Zealand). Jonathan Crayford picked up the award for Best Album for East West Moon, which he recorded in New York with Ben Street and Dan Weiss. Crayford was up against some tough competition including veteran Jazzman Mike Nock (Vicissitudes) and newcomer Myele Manzanza (OnePointOne).
Callum Allardice (of The Jac) managed to swing Best Composition for his piece Deep Thought. Festival favourites award went to The Brad Kang Quartet for their amazing concert at St Peter’s on Friday night.
Originally appeared at: http://www.13thfloor.co.nz/?p=88663
Originally published at 13thfloor.co.nz
On the eve of Mother’s Day, Wellington musician Thomas Oliver gave us all an early present (including the mums) by stopping in at his hometown on his national tour. The fuss was the release of his first proper album, Floating in The Darkness.
As UK’s original post punk pioneers are about to enter their fifth decade they are still writing with a natural worn in a style that still has the flair of their first albums, if not quite the immediacy. Despite many years of innovations and countless influence Wire’s best songs are still those that feature uncomplicated riffs, solid, if angular melodies and strong powerful lyrics that question modern day living and progress.
First published: www.13thfloor.co.nz
Introducing The Sadies, a group you may have never heard of – at least in this part of the world. But for well over two decades, this Canadian foursome have been firing off a cannon indie rock, tinged with psychedelia and the occasional nod to Americana. On their 10th studio release Northern Passages, singers/guitarists Dallas and Travis Good, bassist Sean Dean, and drummer Mike Belitsky return after a four-year hiatus with a product that feels like an updated amalgam of Nuggets-era garage rock and country.